Pinned Landscape 2, 2021, digital print on silk, pins, W 74” x H 54” x D 3.5”

Pinned Landscape 3, 2021, digital print on silk, pins, W 74” x H 43” x D 5”

Andean-Carpathian Alloy 2, 2020, digital print with UV coating on CNC cut aluminum, edition of 3, 52” x 38”

Untitled, digital print on CNC cut aluminum over printed adhesive vinyl, 36” x 49”

Carpathian-Andean Alloy, 2019, UV digital print on metal, inkjet print on recycled poly linen H 12” x W 24” x D 1.5” Images: The Tatra Mountains, Slovakia, 2013 and La Campana Mountain, Chile, 2016

Behold, the Net!, 2019, Embroidery floss on synthetic velvet, MDF, iron oxide, LEDs H 10” x W 10.25” x D 2.25”

Celestial Dew Trap, 2018, Cold-rolled steel, vinyl on magnetic sheeting, digital print on paper H 84” x W 66”

Note: The photo in this installation is of a fog-catching net in the village of Peña Blanca, Chile, 2016. This net harvests fog that blows over the Pacific Ocean. The collected water is used for native vegetation and livestock. The photo was taken by Patrick Cull in 2016.

Untitled, 2016, acrylic paint, hand-cut faux leather vinyl, wood, H80" x W93" x D4". Photo: Robert McNair

Untitled, 2016, acrylic paint on hand-cut faux leather vinyl, wood. Photo: Robert McNair

Untitled, 2016, acrylic on sliced faux leather vinyl, wood dowel, H52" x W37.5" x D2.5". Photo: Aaron Guravich

Untitled, 2015, digitally printed vinyl collage on hand-cut paper. Photo: ©Scott Lee.

Rip-Cut, 2015, acrylic on sliced faux leather vinyl, twine spools, found wooden dowel, 105” x 102” x 13.5”. Photo: ©Scott Lee.

Gaps Full of Potential #3, 2015, air-dry clay, found steel, 10" x 24" x 8".

Gaps Full of Potential #4, 2015, hand-cut faux leather foam, rubber screen, found steel, 24" x 34" x 6".

Gaps Full of Potential #2, 2014, hand-cut faux leather foam, fetl, rubber screen, rope, steel, 48" x 48" x 7" (photo: Ruth Skinner)

Gaps Full of Potential, 2014, hand-cut mahogany veneer and acrylic on paper, H 11” x W 14” x D 4”

Blue Double Buck, 2015, acrylic on sliced faux leather vinyl. Photo: © Scott Lee

Sliced Birch Ply, 2014, acrylic on sliced faux leather foam. Photo: © Ruth Skinner

Large Net Tangle #1, 2016, acrylic and casein on hand-cut paper, 30" x 44.5". Photo: Aaron Guravich

Net Tangle #5, 2016, white transfer, casein on hand-cut paper, 21.5" x 31". Photo: Aaron Guravich

Untitled, 2016, acrylic and collage on hand-cut paper, 19.5" x 25.5". Photo: Aaron Guravich

Untitled (Net 1), 2013, acrylic on hand-cut paper, L 24" x W 18"

Wood on Wood, 2014, hand-cut acrylic on paper, mahogany veneer, H 8” x W 8"

Untitled (folded), 2013, casein on frosted mylar, L 12" x W 6" x D 1"

Untitled (Curtain #18), 2016, acrylic, casein, collage on paper, 14" x 19".

Untitled (Curtain #19), 2016, acrylic, casein, collage on paper, 14" x 19".

Untitled (Curtain #20), 2016, acrylic, casein, collage on paper, 14" x 19".

Untitled, 2015, wall drawing, acrylic on canvas, silkscreen monoprint on fabric, 34" x 58" x 5"

Two Stones, 2012, stones, papier-mâché, charcoal, L 8.5" x W 4" x H 4"

Untitled (tethered arrow), 2010, tree branch, papier-mâché, velvet ribbons, charcoal, H 7' x W 4.5' x D 3'

Cannons and Arrows (installation view), 2010, rocks, papier-mâché / twigs, plastic bags, papier-mâché, charcoal, dimensions variable

Cannon 5 (extended rock study), 2010, rocks, papier-mâché, L 18” x W 5” x H 7”

Sticks and Stones, 2011, stones, mobile twig, gold leaf, H 5" x W 7" x D 5"

Barbara Hobot

work